{"id":14263,"date":"2024-01-14T20:16:34","date_gmt":"2024-01-14T19:16:34","guid":{"rendered":"https:\/\/www.detolskeorkester.dk\/the-wandering-human\/"},"modified":"2026-04-23T10:27:16","modified_gmt":"2026-04-23T08:27:16","slug":"the-wandering-human","status":"publish","type":"post","link":"https:\/\/www.detolskeorkester.dk\/en\/the-wandering-human\/","title":{"rendered":"The wandering human"},"content":{"rendered":"

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V\u00e5rscenefest, Troms\u00f8 Performing Arts Festival 2026<\/strong><\/h3>\n

R\u00e5dstua teaterhus Troms\u00f8
\n02.05 Kl. 14<\/h3>\n

02.05 at 6 pm<\/h3>\n

Tickets<\/a><\/h3>\n

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Suialaa Arts Festival and plays in the QASSI Hall, C.E. Janssensvej 11, Nuuk<\/strong><\/p>\n

24.10 at 17:00<\/p>\n

24.10. 8 p.m.<\/p>\n

25.10 at 19:00<\/p>\n

Artist talk on 25.10 at 20.30 <\/p>\n

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Theater review:<\/strong><\/span><\/a><\/p>\n

Surprising Danish-Greenlandic theater performance about language as power<\/a><\/h3>\n

The theater group Det Olske Orkester has created excellent theater with the performance \u201cDet <\/strong>wandering human\u201d about a young Greenlandic girl who was forced to,,,
\n(read more)<\/a><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”3\/4″][vc_column_text css=””]<\/p>\n

The wandering human<\/h3>\n

In the period from 2023 – 2025, Teatret Det Olske Orkester plans to create the theater project The Wandering Human<\/em> in collaboration with a team of Greenlandic and Danish performing artists and academics. The work runs over 3 years and includes research, study trips, production of the performance, performance period, tour and various side projects such as artist talks, workshops and not least studies and exchanges regarding teaching material about Greenland in high school.
\nThe performance is dedicated to everyone from 14 years and up and premieres at Nordatlantens Brygge d. March 24, 2025 in Copenhagen.<\/p>\n

The history<\/strong>
\nThe year is 1978. A Greenlandic girl sits at a kitchen table in a detached house just outside Aalborg, staring down at the colored flowers on the oilcloth. The Danish state has sent her into care to give her access to “a culture with future perspectives”. But in a moment, she will get up and leave. Back towards Greenland. Backwards through time. She walks, but she is not alone. A Danish anthropologist follows her, with bags full of strawberry jam, first aid and notebooks. And as they walk through the 60s and 50s, they meet ships with Greenlandic children on their way to re-education in Denmark, they meet craftsmen and nurses and teachers on their way to Greenland to pave and modernize and they walk on and they pass a stuffed polar bear and fake icebergs on their way to Emma Gad’s colony exhibition in Tivoli in 1905 and the anthropologist notes and notes while shaking her head. But the girl just keeps walking. And they walk and they walk and they walk and they walk backwards through the 1800s and see the Royal Greenland Trade pass by with ships heavily laden with cod liver oil, whale meat, blubber and sealskin and the anthropologist gets more and more angry and upset and shouts that something must be done, but the girl does nothing, she just walks on, backwards, with the anthropologist shouting after her. And they go through the 1700s and they meet the Danish mission and hear it call Inuit spiritual beliefs superstition, see it ban tattoos and build churches, and the anthropologist is getting tired, but all of a sudden they have arrived in 1721, the year when DR’s big venture “The Story of Greenland and Denmark” starts – a TV series that will tell about the common destiny of the two countries. The anthropologist is confused, she looks around. Hans Egede walks towards a camera. He looks worried. But the girl has moved on, past the film set. The anthropologist runs after her and shouts: “Where are you going? And what about me? And all my notes?” “Maybe someone can read them,” the girl replies, but the anthropologist shouts: “But where are you going? You can’t keep walking backwards!” But the girl replies: “I’m not going backwards, I’m going forwards, towards something that has always been”.[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_widget_sidebar sidebar_id=”sidebar_1″][vc_column_text]<\/p>\n

I am text block. Click edit button to change this text. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_empty_space][vc_single_image image=”14527″ img_size=”full” css=””][vc_empty_space][vc_column_text css=””]Why this project?<\/strong>
\nWith this project we want to open a common investigative and critical space for the deeper and more complex narratives about Denmark’s colonial and post-colonial role in Greenland.
\nIt is problematic when Danes tell Inuit history starting from Hans Egede’s arrival in 1721, skipping the story of a 4500-year-old culture and thus blocking access to understanding modern Greenlandic culture on its own terms. It keeps the Danes in a leading role they do not have.
\nWe want to open a space that dares to deconstruct this Danish self-understanding and start listening to something else.[\/vc_column_text][vc_empty_space][vc_single_image image=”14524″ img_size=”full” alignment=”center” css=””][vc_empty_space][vc_single_image image=”14515″ img_size=”full” alignment=”center” css=””][vc_empty_space][\/vc_column][vc_column width=”1\/3″][vc_empty_space][vc_column_text css=””]Collaborations<\/strong>
\nWe have entered into a collaboration agreement with Nordatlantens Brygge v\/ project manager Asta Stefansdottir, in relation to the presentation of the performance in Copenhagen and various side projects in collaboration with their school service.
\nWe have also collaborated with the venues Dynamo Workspace by Gry Lambertsen in Odense and Filuren\/musikhuset by Ditte Felding in Aarhus.
\nWe have also partnered with De Gr\u00f8nlandske Huse in Copenhagen by Lars Lerche, Odense by Annette Lyberth and Aarhus by Hanne Bjerre Lassen on side events, debates and workshops in connection with the performance. the performance.
\nIn addition to this, we have initiated a collaboration with Falkonerg\u00e5rden gymnasium by Tom S\u00f8gaard-Jensen, head of education and Martin Hagen Broch, history teacher, who together with students, will exchange with the project during our research and artistic process, help us with dissemination and distribution of the performance in high schools.[\/vc_column_text][vc_empty_space][vc_single_image image=”14503″ img_size=”full” alignment=”center” css=””][vc_empty_space][vc_single_image image=”14551″ img_size=”full” onclick=”custom_link” img_link_target=”_blank” css_animation=”right-to-left” css=”” link=”https:\/\/online.fliphtml5.com\/haehu\/dacv\/#google_vignette”][vc_empty_space][vc_single_image image=”14518″ img_size=”full” alignment=”center” css=””][vc_empty_space][vc_single_image image=”14521″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row type=”vc_default” css=”.vc_custom_1650486254112{background-color: #f7f7f7 !important;}”][vc_column width=”1\/2″][vc_column_text css=””]The team:<\/strong><\/p>\n

Performers<\/strong>
\nElisabeth Heilmann Blind, Nina Sikkersoq Kristoffersen, \u00d8yvind Kirchhoff, Rikke Liljenberg<\/p>\n

Playwrights<\/strong>
\nNaja Dyrendom Graugaard (post doc.) and Lotte Faarup<\/p>\n

Instructor<\/strong>
\nLotte Faarup<\/p>\n

Sound design<\/strong>
\nSir\u00ed Paulsen<\/p>\n

Lighting design
\n<\/strong>Mads Deibjerg Lind<\/p>\n

Set designer
\n<\/strong>Rolf S\u00f8borg Hansen<\/p>\n

Consultants<\/strong>
\nJulie Edel Hardenberg (artist), Lars Jensen (associate professor RUC), Gry Alstr\u00f8m (cand. mag)<\/p>\n

Translator<\/strong>
\nMakka Kleist<\/p>\n

Video
\n<\/strong>Alberte Parnuuna Lings Skifte
\n<\/strong><\/p>\n

Director and Project Assistant
\n<\/strong>Ida Zimmermann<\/p>\n

<\/b>PR and sales<\/strong>
\n<\/span>Lena Hedegaard<\/p>\n

Graphic designer
\n<\/strong>Therese Buch-Andersen<\/p>\n

Project management and administration<\/strong>
\nCharlotte Rindom<\/p>\n

[\/vc_column_text][vc_column_text css=””] <\/strong><\/p>\n

Events in connection with the performance <\/strong>THE WANDERING MAN<\/strong><\/p>\n

COPENHAGEN<\/strong><\/p>\n

Artistic introduction to the performance
\n<\/strong>Director Lotte Faarup talks about artistic, ethical and political considerations in the creation of “The Wandering Man”. We will discuss themes such as: privilege blindness, circular dramaturgies, managing other people’s stories, the responsibility of breaking oppression and creating a theater script on a collective basis. <\/p>\n

Time and Place:
\n<\/strong>Nordatlantens Brygge, Strandgade 91, 1401 Kbh. K. in the Caf\u00e9.
\nTue sday 25.3.<\/strong>at 18 .<\/strong>45-19.15 Fr<\/strong>ee if you buy a ticket for the performance purchase of tickets for the performance
\n<\/strong>Tuesday 8.4. at 18.45-19.15 Free with<\/strong> purchase of tickets for the performance<\/strong> purchase of tickets for the performance<\/strong> <\/p>\n

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Historical criticism from the stage
\n<\/strong>Dramaturg Naja Dyrendom Graugaard and director Lotte Faarup talk about artistic, ethical and political considerations in the creation of “The Wandering Man”. What obligation lies in working with historical themes from a critical angle? What can the theater do in this context in relation to its physical, present and sensual format? <\/p>\n

Time and Place:
\n<\/strong>Nordatlantens Brygge, Strandgade 91, 1401 Kbh. K. Sal Vest
\nWednesday April 2, 18.30-19.15 Free for all<\/strong> <\/p>\n

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About creating collectively
\n<\/strong>In this artist talk, the performers in “The Wandering Man” talk about collective artistic processes. Topics such as ownership and participation in the performance’s narrative, personal engagement, political indignation and the use of the body as a physical archive of experience will be touched upon. Afterwards, there will be time for questions from the audience. The conversation will be moderated by the show’s dramaturg Naja Dyrendom Graugaard. <\/p>\n

Time and Place:
\n<\/strong>Nordatlantens Brygge, Strandgade 91, 1401 Kbh. K. Sal Vest
\nSaturday 5.4. at 17.30-18.15 Free in connection with purchase of a ticket to the performance<\/strong> <\/p>\n

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Debate about Greenland-Denmark, colonialism, blind spots and the Danish self-understanding.<\/strong><\/p>\n

The wandering human<\/em> revolves around topics such as modern racism, invisible power structures and lost roots.<\/p>\n

Enter The Greenlandic House and get a rare insight into the thoughts and motives behind the performance The Wandering Man<\/em>. Can Danes tell Inuit history starting with the arrival of Hans Egede in 1721? Will we look at modern Greenlandic culture differently when we include the entire 4500-year-old Inuit culture and history? The performance is about lost roots and the resilience and will to reclaim identity and culture. Det Olske Orkester wants to open a space that dares to deconstruct the Danish self-understanding and start listening to voices other than the leading ones in the conversation about Greenland and Denmark. <\/p>\n

The event starts with a presentation from Lars Lerche, responsible for exhibitions and events at The Greenlandic House, who will talk about his own experiences as a Greenlander in Denmark, both privately and professionally. Then you can meet director Lotte Faarup for a chat about the background to the performance and finally we open up for a debate with the audience. <\/p>\n

Time and Place:
\n<\/strong>Det Gr\u00f8nlandske Hus, L\u00f8vstr\u00e6de 6, 1152 Kbh. K.
\nSaturday 29.3. at 14-15[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css=””]Supporters
\n<\/strong>Knud H\u00f8jgaard Foundation
\nDanish Arts Foundation Project Support Committee for Performing Arts; project support and tour support
\nThe Ministry of Culture’s Culture Pool for projects between Greenland and Denmark
\nAarhus Municipality’s Cultural Development Pool
\nFrederiksberg Foundation
\nHoffmann and Husman Foundation
\nNordea Foundation
\nDanish Actors’ Equity Association production funding
\nAage and Johanne Louis-Hansen Foundation
\nThe Augustine Foundation
\nCopenhagen Municipality’s Performing Arts Committee
\nAxel Muusfeldt Fund
\nNuuk local committee
\nNapa’s cultural support program
\nThe Greenlandic fund
\nJyllands-Posten Foundation
\nThe Wilhelmhansen Foundation
\nReisby Foundation<\/p>\n

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Premiere<\/strong>
\nMarch 24, 2025 at Nordatlantens Brygge<\/p>\n

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Playing periods<\/strong><\/p>\n

Copenhagen, Denmark<\/strong><\/p>\n

March 24 – April 12, 2025 at Nordatlantens Brygge<\/p>\n

School performances in Copenhagen: Performed at 10:30 on Wednesdays during the playing period<\/p>\n

Frederiksberg<\/strong><\/p>\n

April 24 – April 25, 2025 at Falkonerg\u00e5rdens Gymnasium <\/p>\n

Aarhus<\/strong><\/p>\n

April 30 – May 3, 2025 at Filuren\/Musikhuset<\/p>\n

School performances in Copenhagen: Played at 9:30 and 12:30 on May 2.<\/p>\n

Odense<\/strong>
\nMay 7 – May 10, 2025 at Dynamo Workspace<\/p>\n

School performances Odense: Performed at 10.15 on 7.5. and 8.5.[\/vc_column_text][vc_column_text css=””]<\/p>\n

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Events in connection with the performance<\/strong> THE WANDERING MAN<\/strong><\/p>\n

AAHUS<\/strong><\/p>\n

Artistic introduction to the performance
\n<\/strong>Director Lotte Faarup talks about artistic, ethical and political considerations in the creation of “The Wandering Man”. We will discuss themes such as: privilege blindness, circular dramaturgies, managing other people’s stories, the responsibility of breaking oppression and creating a theater script on a collective basis. <\/p>\n

Time and Place:
\n<\/strong>Teaterhuset
\nFiluren\/Musikhuset Aarhus, Thomas Jensens All\u00e9 2, 8000 \u00c5rhus C
\nWedne sday 30.4<\/strong>. at 18.15-18.45 Free with ticket purchase purchase of tickets for the performance
\n<\/strong>Saturday 3.5. at 16.15-16.45 Free with<\/strong> purchase of tickets for the performance<\/strong> purchase of tickets for the performance<\/strong> <\/p>\n

 <\/p>\n

Historical criticism from the stage
\n<\/strong>Dramaturg Naja Dyrendom Graugaard and director Lotte Faarup talk about artistic, ethical and political considerations in the creation of “The Wandering Man”. What obligation lies in working with historical themes from a critical angle? What can the theater do in this context in relation to its physical, present and sensual format? <\/p>\n

Time and Place:
\n<\/strong>Det Gr\u00f8nlandske Hus \u00c5rhus, Dalgas Avenue 52A, 8000 \u00c5rhus C – with Naja Dyrendom Graugaard
\nFriday 28.3. at 19-20.30 Free for all<\/strong> <\/p>\n

 <\/p>\n

About creating collectively
\n<\/strong>In this artist talk, the performers in “The Wandering Man” talk about collective artistic processes. Topics such as ownership and participation in the performance’s narrative, personal engagement, political indignation and the use of the body as a physical archive of experience will be touched upon. Afterwards, there will be time for questions from the audience. The conversation will be moderated by the show’s dramaturg Naja Dyrendom Graugaard. <\/p>\n

Time and Place:
\n<\/strong>Teaterhuset Filuren\/Musikhuset, Thomas Jensens All\u00e9 2, 8000 Aarhus C
\nwith Hanne Bjerre Lassen
\nFriday 2.5. at 11-11.30 Free with<\/strong> ticket purchase. purchase of a ticket to the performance<\/strong> <\/p>\n

Teaterhuset Filuren\/Musikhuset, Thomas Jensens All\u00e9 2, 8000 Aarhus C
\nwith Hanne Bjerre Lassen, Lotte Faarup and cast
\nFriday 2.5. at 14-14.30 Free with<\/strong> ticket purchase purchase of a ticket to the performance<\/strong> <\/p>\n

 <\/p>\n

Events in connection with the performance <\/strong>THE WANDERING MAN<\/strong><\/p>\n

ODENSE<\/strong><\/p>\n

Artistic introduction to the performance
\n<\/strong>Director Lotte Faarup talks about artistic, ethical and political considerations in the creation of “The Wandering Man”. We will discuss themes such as: privilege blindness, circular dramaturgies, managing other people’s stories, the responsibility of breaking oppression and creating a theater script on a collective basis. <\/p>\n

Time and Place:
\n<\/strong>Det Gr\u00f8nlandske Hus, Nordatlantisk Hus, Nordatlantisk Promenade 1, 5000 Odense C
\nSaturday 10.5. at 18.45-19.15 Free with<\/strong> ticket purchase. purchase of a ticket to the performance<\/strong> <\/p>\n

Dynamo Workspace, Finlandskaj 6, 5000 Odense C
\nWednesday 7.5. at 10-10.15 am Free in connection with<\/strong>ticket purchase purchase of a ticket to the performance
\n<\/strong>Thursday 8.5. kl. 10-10.15 Free if you<\/strong> buy a ticket to the performance<\/strong> purchase of tickets for the performance<\/strong> <\/p>\n

 <\/p>\n

About creating collectively
\n<\/strong>In this artist talk, the performers in “The Wandering Man” talk about collective artistic processes. Topics such as ownership and participation in the performance’s narrative, personal engagement, political indignation and the use of the body as a physical archive of experience will be touched upon. Afterwards, there will be time for questions from the audience. The conversation will be moderated by the show’s dramaturg Naja Dyrendom Graugaard. <\/p>\n

Time and Place:
\n<\/strong>Dynamo Workspace
\n<\/strong>Friday 9.5. kl. 21.00-21.30 Free with<\/strong> ticket purchase . purchase of a ticket to the performance
\n<\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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