{"id":14646,"date":"2026-02-26T20:36:33","date_gmt":"2026-02-26T19:36:33","guid":{"rendered":"https:\/\/www.detolskeorkester.dk\/challenging-the-exclusive-house\/"},"modified":"2026-10-06T21:11:33","modified_gmt":"2026-10-06T19:11:33","slug":"challenging-the-exclusive-house","status":"publish","type":"post","link":"https:\/\/www.detolskeorkester.dk\/en\/challenging-the-exclusive-house\/","title":{"rendered":"THE EXCLUSIVE HOUSE"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][vc_single_image image=&#8221;14648&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; image_hovers=&#8221;false&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<div>\n<h2><strong>The Exclusive House<\/strong><\/h2>\n<\/div>\n<p><span style=\"font-weight: 400;\">\u2013 a feminist, anti-capitalist, performative attack on Western neocolonial power structures through the use of knowledge, care, laughter, solidarity, dance, anger, song, poetry, and other subversive behaviors.  <\/span><\/p>\n<h3><span style=\"font-weight: 400;\">The history<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Late one evening in Copenhagen, four women are sitting in their respective hotel rooms, browsing the internet. They have just returned from the conference   <\/span><i><span style=\"font-weight: 400;\">Leadership and Governance<\/span><\/i><span style=\"font-weight: 400;\">  organized by the World Economic Forum. Now they\u2019re searching for information that can explain how resources flow from the Global South to the West, and how those resources become cash flows circulating in closed loops among rich countries. They imagine invisible electrical signals working beneath the asphalt of European cities; they stare at numbers and graphs\u2014four women\u2014all with both Danish and non-Western backgrounds.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The internet connection is unstable, and the women keep getting disconnected, but because they keep searching, they slip into a time warp\u2014specifically, to the Berlin Conference on February 26, 1885, when the European countries drafted the rationale that gave them the right to divide Africa into colonies among themselves.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The women are reading, and as they read, they imagine how it all happened; and as they imagine it, they slip into that room where 22 men are seated around a dark mahogany table, signing an agreement. None of the men have heads, and yet they speak. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">One of the women is surprised when she hears the same words a Danish politician used in his speech at the conference: \u201cWith its new Africa strategy, the government has come to realize the importance and potential of Africa. It has realized that it is crucial for Denmark to be involved&#8230;\u201d One of the other women looks at the large map of Africa hanging above the mahogany table. She looks at Ghana and is reminded of the Danish frigate Esbern Snare, which was sent to the Gulf of Guinea in 2021 to protect Danish merchant ships from piracy. It strikes her that Denmark has been there before\u2014namely, 300 years earlier, in connection with the transatlantic slave trade.    <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is the past, but it is also the present, for we find ourselves in a vacuum where time flows together, where historical events repeat themselves in new guises, and where the prevailing set of rules is the expectation of economic profit. A connection is beginning to form between these four women. <\/span><\/p>\n<div>\n<pre><\/pre>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3><span style=\"font-weight: 400;\">Why This Performance?  <\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Leading economists and social commentators are questioning the capitalist system. They point to growing inequality and discuss how the pursuit of endless growth and profit can be changed, how to mitigate the increasing inequality among people and the overexploitation of natural resources, and they are working to develop viable alternatives. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this context, we will stage the play in the spring of 2027 <\/span><i><span style=\"font-weight: 400;\">The Exclusive House,<\/span><\/i><span style=\"font-weight: 400;\">  which is about four women\u2019s desire to break away from Western society, intangible cash flows, and isolation, and their inner search for a different, more human way of being in the world\u2014a journey through both time and space. The performance is about resistance, strength, and unraveling invisible systems of power, but it is also about survival strategies, love, care, and hope. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Together with a team of performing artists from diverse ethnic backgrounds and a critical, research-based advisory group, we are working with <\/span><i><span style=\"font-weight: 400;\">*The Exclusive House*<\/span><\/i><span style=\"font-weight: 400;\"> to challenge Western capitalism. <\/span> <\/p>\n<p><span style=\"font-weight: 400;\">For many years now, the Olske Orchestra has explored Danish and European colonial history and its significance for the West\u2019s narrative of itself. The latest performance   <\/span><i><span style=\"font-weight: 400;\">The Wandering Human<\/span><\/i><span style=\"font-weight: 400;\"> was about Denmark\u2019s colonization of Greenland and the neocolonial structures that still exist in the relationship between the two countries.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With <\/span><i><span style=\"font-weight: 400;\">The Exclusive House<\/span><\/i><span style=\"font-weight: 400;\"> , we continue our decolonial focus\u2014this time from an anti-capitalist global perspective.<\/span>[\/vc_column_text][vc_empty_space][vc_separator][vc_column_text]<\/p>\n<h3>Supporters<\/h3>\n<p><em><strong>The Danish Arts Council&#8217;s Project Support Committee for the Performing Arts<\/strong><\/em><br \/>\n<em><strong>The Knud H\u00f8jgaard Foundation<\/strong><\/em><br \/>\n<em><strong>The Henrik Lyding Memorial Fund<\/strong><\/em><br \/>\n<em><strong>The George Jorck and Emma Jorck Foundation<\/strong><\/em><br \/>\n<em><strong>The Grete and Sigurd Pedersen Foundation<\/strong><\/em><br \/>\n<em><strong>The William Demant Foundation<\/strong><\/em><br \/>\n<em><strong>Production Grants from the Danish Actors&#8217; Union<\/strong><\/em>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<a href=\"https:\/\/teaterbilletter.dk\/forestillinger\/det-olske-orkester-det-eksklusive-hus-146639\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-9443 size-full\" src=\"https:\/\/www.detolskeorkester.dk\/wp-content\/uploads\/2021\/10\/billetter-3.png\" alt=\"\" width=\"243\" height=\"120\"><\/a>[\/vc_column_text][vc_empty_space height=&#8221;32px&#8221;][vc_column_text]<\/p>\n<div><strong>Venue:<\/strong> Kasernen on Refshale\u00f8en<\/div>\n<div><strong>Performance dates:<\/strong> April 12. &#8211; 1.5.<\/div>\n<div><strong>Times:<\/strong> Mon\u2013Sat at 5:30 p.m., dinner at 7:00 p.m. \u2014 Theater ticket and dinner after the performance.<\/div>\n<div>1st week 6 evening performances<\/div>\n<div>2nd week 6 evening performances + Tuesdays at 10.30<\/div>\n<div>3rd week 6 evening performances + Tuesdays at 10.30<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<\/p>\n<h3>Credits<\/h3>\n<p>Cast: Meleat Fredriksson, Ross Mangal Khan, Angelina Kirchhoff, Katrien van der<br \/>\nVelden, \u00d8yvind Kirchhoff<br \/>\nPlaywright and Director: Lotte Faarup<br \/>\nSet Designer: Rolf S\u00f8borg Hansen<br \/>\nLighting Designer: Emil Wardeh<br \/>\nSound Designer: Jonas J\u00f8rgensen<br \/>\nGraphic design: Therese Buch-Andersen<br \/>\nPR: Lena Hedegaard, Art Attack<br \/>\nProject Manager: Charlotte Rindom[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;14648&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; image_hovers=&#8221;false&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] The Exclusive House \u2013 a feminist, anti-capitalist, performative attack on Western neocolonial power structures through the use of knowledge, care, laughter, solidarity, dance, anger, song, poetry, and other subversive behaviors. The history Late one evening in Copenhagen, four women are sitting in their respective hotel rooms, browsing the internet. They&hellip;<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116,53],"tags":[],"class_list":["post-14646","post","type-post","status-publish","format-standard","hentry","category-current-performance-en","category-uncategorized","category-116","category-53","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THE EXCLUSIVE HOUSE - Det Olske Orkester<\/title>\n<meta name=\"description\" content=\"Teatret Det Olske Orkester blev stiftet i maj 2008 af instrukt\u00f8r Lotte Faarup og skuespiller \u00d8yvind Kirchhoff. 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